I was watching the GRAMMYs last Sunday (more like browsing between performances), and it occurred to me that it’s becoming more and more irrelevant through the years. Does anyone really care anymore? Since the advent of the MP3s, internet and satellite radio, music has become more accessible and listeners aren’t limited to just the top 40 hits that play on their favorite local FM station. The spectrum of music selection for a listener has been widen so much so that one person could have a totally different music interest as the next. Therefore, awarding a musician over another has lesser meaning to music fans.
The recording academy tries to rectify the problem by appeasing all listeners and assigning hundreds of categories that are so specific that pretty much every nominee wins some award (Yay, everybody wins!). Is this really necessary? Is there really a difference between Pop Vocal album and Traditional Pop Vocal album? They even have TEN categories for Gospel. Do we really need to distinguish between Soul Gospel, Contemporary Soul Gospel and Pop Soul Gospel? Then, they further divide each genre with categories for record, song and performance. Why not just give one award to the artist, songwriter, engineer and producer for the album or song? And for the love of god, do we REALLY need a category for a Hawaiian Music Album? So if there aren’t any losers, why am I even watching? (I forgot that I was browsing). But aren’t having losers (and true winners) the reason to watch the show? So, it’s no wonder the music fans are uninterested.
And then, this year they named Ray Charles’s Genius Loves Company as Album of the Year. I love Ray Charles’ music and all, but that album does not even compare to his past works. We all know that he was awarded as a sentiment to his life’s work. But it’s unfair to other musicians in that category like Greenday’s American Idiot (which clearly should’ve won). Even Usher’s Confessions and Kanye West’s College Dropout were far superior.
Because of my disappointment, I have decided to put together my own music awards and cut it down to seven categories (yea, I’m a meat and potatoes guy who likes it short and to the point.). So here’s
mRey’s 2005 Music Awards:
Best Rap Album: Kanye West - College Dropout This album is the clear winner of the year. Although Kanye’s not as lyrical as say Jay Z or Nelly, Nelly’s Suit and Jay Z’s Black aren’t as polished and creative as Kanye's album. And his performance at the GRAMMYs should give an indication on why he won.
Best Rock Album: Green Day - American IdiotThey have re-defined punk rock in America Idiot and made it more accessible to a wider audience. Their maturity and growth shows throughout this punk-opera album (although I think they should quit wearing those thick eye-liners ala Good Charlotte).
Best Pop/RnB Album: Usher – ConfessionsTop selling album of the year. Enough said.
Best Electronica/Dance Album: Sasha – InvolverThe anticipated follow up to his awful ‘Airdrawndagger’ is a revelation. Remixing and re-editing each track to the point that he could have claim it as his own. This is Sasha’s best work to date. Mind blowing from the chilled out progressive trance start to the rock-all-out hard beats, dance your ass off ending. Why this was left out of the Grammy’s electronica/dance category boggles the mind.
Best Soundtrack: Garden StateZach Braff’s collection of indie rock and melancholic electronica perfectly matches the film’s understated witty and gloomy tone.
Song of the Year: Usher w/ Lil Jon and Ludacris – YeahI was torn between this and Maroon 5’s This Love. But Usher’s crooning combined with Lil Jon’s crunkalicious hooks and Luda’s dirrrty lyrics makes it this year’s “it” song. When I started to hear “it” at weddings, then I had no doubt that it’s this year’s top song.
Album of the Year: Keane – Hopes and FearThis stunning debut from the guitar-less rock trio got me hooked from my first listen. This album is stuffed with soaring melodic epic anthems that are catchy and deeply multi-layered from one song to the next. The band’s frontman Tom Chaplin has a Coldplay-eque falsetto voice that could tug and stomp the heartstrings of all the Gwyneth Paltrows ten times over. This instant classic has been stucked in my CD player for several months now and gets better and better through each listen- so it’s a must for everyone on my list.
Tune in for my post-Oscar bashing entry….